Pseudo-RIPs exist as well, but these rely on the printer driver and aren’t useful. This means you will need to invest a bit of money in a good, genuine Raster Image Processor. #DIGITAL ART FILES FOR SALE DRIVERS#To print artwork, you will ideally be working in the CMYK color space because you cannot rely on the manufacturer’s printer drivers and color profiles to achieve accurate color rendition and full control over the ink on the substrate. It might then be better to have your art printed by a print-on-demand service or even a local printer. That’s fine as long as you are aware of it and won’t use the resulting prints for any important exhibition. You’ll have to give in on quality and especially on control, though. Only if you’re working from a near-zero budget may you want to go with the printer manufacturer’s printer driver. If you’re starting out or are on a low budget, you’ll probably want to use a photo printer to print your art, it still is a good idea to use a RIP. #DIGITAL ART FILES FOR SALE PROFESSIONAL#These preparations are inherent to professional printing, no matter the type of printer used by you or the professional you’re outsourcing an output job to. This is the most important step in the process because it puts the printer in a known and stable state for each specific ink/media combination. With some printers, it enables increasing the length of the printable surface, saving money again.Īll of these printers must be calibrated (aka linearization) before creating the color profiles for the media you’re going to use.It allows for very accurate color rendition.It increases quality beyond what is possible using the printer driver.It saves money as you can control the amount of ink sprayed onto the medium.The difference between printing at home and printing professionallyĪll of the devices in the highest market niche are by definition PostScript-printers and best controlled through a Raster Image Processor (RIP), which is an app that lets you control the way ink is fired from each individual printhead onto the media. a device that can print on a large range of materials, including cotton rag, high-gloss photo paper, satin paper, matte paper, canvas, film, vinyl, textile, etc.inks that guarantee a high lightfastness (the degree at which color ink is unaffected by light over time) and archival quality (permanence).the highest print resolution available with the highest number of inks - a 2400 x 1200 dpi resolution, for instance, and the use of six to ten inks.the highest output quality you can afford - for example, when the specs mention an ink droplet size of 3.5 picoliter, that’s small enough to ensure a very high resolution. A photo printer that prints A3 format (or 16 x 12-inch paper) will - if you are willing to compromise on paper size and to some extent on quality too. Only printers that can output to A2 media (at least 24 x 20 inches) or bigger will deliver the required quality.Īn office printer won’t do, mainly because you cannot properly linearize and color manage it. The major vendors that have this equipment in their product portfolio are Canon, Epson and HP. Today, giclée is associated with inkjet equipment that uses dye or pigment-based archival inks and archival media, aka substrates. However, you must always go with the highest quality you can afford if only because your art is supposed to make you money and not to ruin your reputation. This article will discuss suitable printers, but as giclée printers are quite expensive to buy, run, and maintain, it will also cover what you can achieve on a low budget and share some tips for outsourcing. In short, a giclée print requires an inkjet printer. The term is based on the French word gicleur, the French technical term for a jet or a nozzle. To print artwork for exhibition purposes or selling online, you need to be able to achieve a quality of output that has a name: “giclée”.
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